28:I[56264,["/_next/static/chunks/3fntmmi971322.js","/_next/static/chunks/1ymt1shyhmu-4.js","/_next/static/chunks/291ciwmgtp_xc.js","/_next/static/chunks/2owa30hnifmhr.js","/_next/static/chunks/2tie5rqwdsi89.js","/_next/static/chunks/2dnipz2c0692b.js","/_next/static/chunks/1mf5iq195c2sn.js","/_next/static/chunks/03wn0-bzh3abk.js","/_next/static/chunks/0_02m0ghanddv.js"],"GuestHistoryRecorder"] 29:I[3004,["/_next/static/chunks/3fntmmi971322.js","/_next/static/chunks/1ymt1shyhmu-4.js","/_next/static/chunks/291ciwmgtp_xc.js","/_next/static/chunks/2owa30hnifmhr.js","/_next/static/chunks/2tie5rqwdsi89.js","/_next/static/chunks/2dnipz2c0692b.js","/_next/static/chunks/1mf5iq195c2sn.js","/_next/static/chunks/03wn0-bzh3abk.js","/_next/static/chunks/0_02m0ghanddv.js"],"EmailPreview"] 2c:I[27201,["/_next/static/chunks/3fntmmi971322.js","/_next/static/chunks/1ymt1shyhmu-4.js","/_next/static/chunks/291ciwmgtp_xc.js","/_next/static/chunks/2owa30hnifmhr.js"],"IconMark"] 2a:Tdd64,

Welcome to RED Dispatch, covering the latest behind the scenes and exclusive stories from #ShotonRED projects, and discussions with filmmakers around the world.

Watch Alpine’s introduction of the 2026 car, the A526 New era, new opportunity. Introducing BWT Alpine Formula One Team A526. Shot on RED KOMODO-X with Atlas anamorphic lenses.

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Congratulations to cinematographers Doug Anderson (pictured) and Toby Strong on their Emmy Win for Outstanding Cinematography for a Nonfiction Program for 'Ocean With David Attenborough.'

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Check out recent and upcoming titles shot on RED V-RAPTOR [X].

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From broadcast to cinema to immersive, RED put cinematic imaging into motion at IBC 2026. Go inside the RED/Nikon booth for a look at the camera systems and workflows powering the show, from V-RAPTOR XL [X] with the Cine-Broadcast Module and RED Connect to Steadicam, PTZ, immersive 8K and cinematic setups. Plus, Action Director & Designer Vi-Dan Tran takes over the ring to choreograph and capture an original fight sequence live.

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Getting Started on KOMODO-X. In this episode of RED TECH, Cleigh walks through the fundamentals of setting up a RED KOMODO-X and building an exposure strategy designed to get the most from the camera.

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Behind the scenes with director and cinematographer Spencer Frost on the latest Corners of the Earth Expedition. Using RED’s V-RAPTOR [X] Z Mount and KOMODO-X Z Mount as the primary cameras, alongside the Nikon ZR, paired with a selection of NIKKOR Z lenses, Spencer and the team travelled to one of the world’s most remote volcanic island chains in search of new waves across a frozen, largely unexplored archipelago for their latest feature documentary.

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2b:T1019,[RED.COM](https://www.red.com/) Welcome to RED Dispatch, covering the latest behind the scenes and exclusive stories from #ShotonRED projects, and discussions with filmmakers around the world. [Shot on RED](https://www.red.com/shot-on-red) [Alpine BTS](https://www.reddigitalcinema.com/bts/alpine-f1-bts) Watch Alpine’s introduction of the 2026 car, the A526 New era, new opportunity. Introducing BWT Alpine Formula One Team A526. Shot on RED KOMODO-X with Atlas anamorphic lenses. [WATCH](https://www.reddigitalcinema.com/bts/alpine-f1-bts) [Oceans with David Attenborough](https://www.reddigitalcinema.com/awards) [Oceans with David Attenborough](https://www.reddigitalcinema.com/awards) Congratulations to cinematographers Doug Anderson (pictured) and Toby Strong on their Emmy Win for Outstanding Cinematography for a Nonfiction Program for 'Ocean With David Attenborough.' [EXPLORE](https://www.reddigitalcinema.com/awards) [New Shot on RED Releases](https://www.red.com/shot-on-red) Check out recent and upcoming titles shot on RED V-RAPTOR [X]. [New Shot on RED Releases](https://www.red.com/shot-on-red) [EXPLORE](https://www.red.com/shot-on-red) [RED Events](https://www.red.com/events) [RED at IBC 2026 RECAP](https://www.reddigitalcinema.com/stories/red-at-ibc-2026) From broadcast to cinema to immersive, RED put cinematic imaging into motion at IBC 2026. Go inside the RED/Nikon booth for a look at the camera systems and workflows powering the show, from V-RAPTOR XL [X] with the Cine-Broadcast Module and RED Connect to Steadicam, PTZ, immersive 8K and cinematic setups. Plus, Action Director & Designer Vi-Dan Tran takes over the ring to choreograph and capture an original fight sequence live. [WATCH](https://www.reddigitalcinema.com/stories/red-at-ibc-2026) [KOMODO-X RED TECH](https://www.reddigitalcinema.com/redtech/redtech-getting-started-komodo-x) Getting Started on KOMODO-X. In this episode of RED TECH, Cleigh walks through the fundamentals of setting up a RED KOMODO-X and building an exposure strategy designed to get the most from the camera. [WATCH](https://www.reddigitalcinema.com/redtech/redtech-getting-started-komodo-x) Behind the scenes with director and cinematographer Spencer Frost on the latest Corners of the Earth Expedition. Using RED’s V-RAPTOR [X] Z Mount and KOMODO-X Z Mount as the primary cameras, alongside the Nikon ZR, paired with a selection of NIKKOR Z lenses, Spencer and the team travelled to one of the world’s most remote volcanic island chains in search of new waves across a frozen, largely unexplored archipelago for their latest feature documentary. [EXPLORE](https://www.instagram.com/p/DaeEIHljxAd/?stkn=OGsxazViZXhvbjY1) Prices, offers, and products are subject to change in RED’s sole discretion and only valid as of the date of this email. Third party trademarks are used solely for identification purposes. RED is not affiliated with, sponsored by, or endorsed by any mentioned third party rights owners. You are receiving this message because you subscribed or otherwise expressed interest in news and offers from RED. To manage your preferences or opt-out of receiving future marketing emails at any time, please click “unsubscribe” below. Your privacy is important to RED. RED gathers usage data from your interactions with this email to improve our messaging. For more on our data protection practices and your privacy rights, please read our privacy policy. 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